![]() This ADC may be a multi-channel soundcard or a dedicated external USB or FireWire audio interface box, DJ controller device or compatible mixer (usually distributed with the software). The turntables' audio output - the timecode recording - is routed into an analog-to-digital converter, or ADC. The vinyl is a recording of analog audio signals often referred to as timecode. Vinyl emulation normally uses special vinyl records which are played on conventional turntables. This method allows DJs to scratch, beatmatch, and perform other turntablism that would be impossible with a conventional keyboard-and-mouse computer interface or less tactile control devices.Ī digital vinyl system (DVS) may include a special time-coded vinyl record or be purely software. This has the added advantage of using turntables to play back audio recordings not available in phonograph form. Vinyl emulation allows a user to physically manipulate the playback of digital audio files on a computer using the turntables as an interface, thus preserving the hands-on control and feel of DJing with vinyl. ( September 2020) ( Learn how and when to remove this template message) Please help to improve this article by introducing more precise citations. Since you don't give any useful information here, the principal answer is "maybe to some degree".This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. Whether that makes sense very much depends on the role of your PA and the kind and features of the PA. The PA mix is not necessarily good but it's a good starting point. ![]() At the minimum, it should have some outputs of the complete mix for a tape recorder which you can use more or less directly on any cheap audio interface, or balanced line outputs which are probably a bit high in level for built-in audio interfaces with unbalanced input. It really depends on what your "PA system" actually is. Nowadays lots of cheap mixers are digital inside and provide an USB interface to some channels. A later mixer had a Firewire interface for 16 input channels and the 2 channels of the completed mix. For best quality, that required recording outputs in the first place and an 8-channel input audio interface. I used to pick off 8 channels from the analog recording outputs (after preamp, before fader and tone controls) of an Onyx mixer via an RME Multiface. Connect the audio interface to one of the aux buses of the mixer, so you can set the volume of each channel for the recording independently of its volume for your monitor system.Do not output this to the monitor system, it's just for the recording. add a 'room' mic which is placed away from the band, to pick up the room ambience.use mics for all instruments, including the ones already loud enough that you don't need to amplify them.If you want a recording you can share with others, you'll want to set up a separate mix: ![]() ![]() If you want to use the recording just as a tool for reviewing your performance, you can get away with just recording the main out. Lots of two-channel USB audio interfaces are available, ranging from really cheap ($30) to really expensive. If the mixer does not have a digital output, you can always connect an analog (line-level) output of the mixer to an audio interface. As per the comments: this depends on the make and model of the mixer.
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